Digital Issue 3.1

Political Theatre/Populist Theatre

Shelley Scott looks at the strong presence of Asian-Canadian voices in past and present Edmonton Fringe Festivals. Framed as a letter of resignation, Suleikha Ali Yusuf’s poem is a condemnation of New World neo-coloniaism. David Fancy poses some difficult questions for community-based approaches to staging cultural difference within the context of Canada’s multi-ethnic reality.


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