Digital Issue 6.2

Cultural Mediation

In this issue: Don Perkins follows the process that led to the staging of The Forbidden Phoenix, Hilary Halba and New Zealand’s Kilimongo Productions provide a model for decolonizing theatre praxis and producing a truly bicultural theatre event, Lydia Wilkinson discusses Clarke’s re-imagined multifaceted PET as an embodiment of Canada’s evolving multiculturalism and globalism.


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