Digital Issue 12.1

Starving Artists, Global Empathy, Radical performance Pedgagogy, and More
  • Matt Jones examines how three recent Canadian-produced plays about the War on Terror attempt to reproduce the lived experience of the “other”.
  • Simon Bloom on Canada’s first-ever online community-based theatre encyclopedia.
  • Ursula Neuerburg-Denzer reviews Daniel Mroz’s The Dancing Word: An Embodied Approach to the Preparation of Performers and the Composition of Performances.

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