Issue 13.3

What’s in this issue?
  • Editorial – The Feminist Killjoy Goes to the Theatre by Michelle MacArthur
  • Aaron Franks talks to Ayumi Goto and Peter Morin about the roots of their creative relationship and finding new visual and performance languages to witness truths and contribute beyond reconciliation.  
  • Sarah Waisvisz shares the performance text of her one-woman play, which premiered at the undercurrents festival in Ottawa, Canada in 2016.
  • DM St-Bernard concludes the three-part Principles Office series with a reflection on the constant of change, the occupation of space, and the active force of standing still.
  • Rebecca Benson and Tracey Guptill are interviewed by their alter-egos Pinkhead and Smoosh about their Pussy Riot-inspired show, featured in the Kick and Push festival in Kingston, Ontario last summer.
  • and more!

This issue of includes several feminist killjoys. Among them, Sarah Waisvisz, our Reviews Editor but also a talented theatre maker and performer, shares the script for her one-woman show Monstrous, which looks at the intersections of gender, race, and culture; Rebecca Benson and Tracey Guptill discuss their work bringing the feminist punk group Pussy Riot to Kingston, Ontario; and DM St. Bernard concludes her excellent Principles Office series with a reflection on what it means to purposefully claim space.

Michelle MacArthur, Editor-in-Chief

For magazine

Michelle MacArthur (Editor-in-Chief), Sarah Waisvisz (Reviews Editor), Aaron Franks (Features Editor).


Sarah Waisvisz, DM St. Bernard, Rebecca Benson, Tracey Guptill, Lisa Jeans, Emer O’Toole

Cover Photo

© Christopher Snow. Sarah Waisvisz in Monstrous at the undercurrents festival, 2016.

From the issue

Did you know that we also do online theatre and performance reviews?  Read our latest one on the Lemon Bucket Orkestra

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