(Dis) ability, Diversity and Performance
Articles in this issue include: Kuicai Kong’s examination of Li Ning’s theatrical work explores how violence, pain and pleasure are inscribed by modern China’s political and economic apparatus on the body, Ashley McAskill explores the tender reverberations of theatrical experience through her collaborative work with Theatre Terrific, and Sabina England writes about how she works with sound in making art as a Deaf filmmaker and performance artist.
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