``My grandfather said to me, we introduce ourselves so we know where things come from, not to separate us, but to find out ways we can link together.” - Issue 12.4
Editor in Chief
Michelle MacArthur is Assistant Professor at the University of Windsor’s School of Dramatic Art. She holds a PhD in Drama from the University of Toronto, where her dissertation focused on the critical reception of feminist theatre in English and French Canada. Her research has appeared in alt.theatre, Canadian Theatre Review, Theatre Research in Canada, and several edited collections. In 2014-15, Michelle was the lead researcher for the Equity in Theatre initiative, a national campaign focused on redressing gender inequities in the Canadian theatre industry.
Sarah Waisvisz is a playwright and performer based in Ottawa and Playwright in Residence at Great Canadian Theatre Company (2016-2017). She is co-Artistic Director of Calalou, a company dedicated to the development of stories by underrepresented communities. Recent works include her solo show Monstrous and its follow-up Griot!. Sarah holds a PhD in Francophone and Anglophone Caribbean Literature and has published in the fields of diaspora literature, trauma, the human rights humanities, and Afro-Caribbean cultural memory.
Aaron Franks is a researcher, performer, geographer, dad and co-founder of the RAFT applied performance and research company with Rebecca Benson. He worked as an actor from 1996 to 2006, and has degrees in Social Justice and Equity Studies (MA, Brock) and Human Geography (PhD, Glasgow). He recently worked with the Centre for Indigenous Research Creation at Queen’s University, and is currently a Mitacs postdoctoral fellow in Indigenous policy at the Social Sciences and Humanities Research Council in Ottawa.
Hayley Malouin is a theatre critic and artist from Toronto. She holds an MA in Studies in Comparative Literature and Arts and a BA in Dramatic Arts Performance, both from Brock University, where she is also a teaching assistant in courses on theatre criticism. She has worked as both contributor and editor for DARTcritics since the website’s creation in 2013. For the past five years, Hayley has been a core company member and performer with Twitches and Itches Theatre, a multi-disciplinary theatre company based in St. Catharines focused on physical exploration and collectively devised work; she is now an associate member and intermittent dramaturge. As a scholar, her research is focused on public performance, political protest, and circus.
Mercedeh creates on both stage and film in hopes of bring radical representation, thought, and accessibility to each medium’s boundaries. Past projects have included directing a short film about punk Muslimahs for the Art of Inclusion project with the Musée des Beaux-Arts de Montréal and the Michaëlle Jean Foundation, being mentored with Imago theatre’s Artista program, performing in the Wildside Festival’s Pluck’d, and assistant directing for Lévriers at the MAI. Hailing from many ends of Canada and the world, Mercedeh is currently creating in Tiotia:ke, colonially known as Montreal