Recalling Redfeather: Weaving Through History with Jani Lauzon and Marjorie
Toronto, Ontario Robyn Grant-Moran interviews I Call Myself Princess playwright Jane Lauzon…
A Little Space for Mystery: From the Rehearsal Room of I Call Myself Princess
Toronto, Ontario Robyn Grant-Moran reports from the rehearsal room of I…
Embedded criticism: an alt.ernative to reviewing?
Toronto, Ontario A note from web editor Hayley Malouin: The…
REVIEW: Box 4901 Is A Powerful (If Somewhat Un-Packed) Exploration of Queer...
Toronto, Ontario Kate Croome reviews Box 4901, a timeshare production of…
REVIEW: Body So Fluorescent Explores Persona, Performativity, and (Heated)...
Toronto, Ontario Mae Smith reviews Body So Fluorescent, presented by…
REVIEW: Overhear Toronto Interfaces with Real Life, Real People, Real Coffee
Toronto, Ontario Kate Croome reviews Overhear Toronto, co-produced by Apuka…
REVIEW: Swim Team Pushes Against the Tide of Inequity With Imagination and...
Toronto, Ontario Diana Manole reviews Swim Team, Nowadays Theatre’s co-production…
Review: Upstream Downtown
Review of Upstream Downtown by Animacy Theatre Collective, in co-production…
Owning Success
“Owning Success” Sébastien Heins interviews diverse actors at the Stratford…
REVIEW: Don’t Read the Comments (Montreal Fringe)
Montreal, Québec Kelann Currie-Williams reviews Sermo Scomber Theatre‘s Don’t Read the Comments in…
