Owning Success
“Owning Success” Sébastien Heins interviews diverse actors at the Stratford…
REVIEW: Don’t Read the Comments (Montreal Fringe)
Montreal, Québec Kelann Currie-Williams reviews Sermo Scomber Theatre‘s Don’t Read the Comments in…
REVIEW: The Autism Monologues (Montreal Fringe)
Montreal, Québec Kelann Currie-Williams reviews La Tigresse Productions’ The Autism Monologues in the…
REVIEW: A Dyke’s Guide to Fair Play Offers A Queer Response to #MeToo...
Montreal, Québec Willow White reviews Daughter Product’s production of A Dyke’s Guide…
REVIEW: Silence and Violence in 4’33” in Baghdad (Montreal Fringe)
Montreal, Québec Willow White reviews Thought Experiment Productions’ 4’33” in Baghdad in the Montreal…
REVIEW: The Hysteria Triptych Offers Three Hinged-Together Looks At...
Montreal, Québec Willow White reviews Odd Stumble’s workshop presentation of Erin Lindsay’s…
REVIEW: Method and Message of 12 Minute Madness Are Clear, If Unfinished...
Vancouver, British Columbia Kelsey Blair reviews Raina Von Waldenburg’s semi-autobiographical 12 Minute…
REVIEW: Patron Saints and Picking Grapes in Our Lady of Delicias
St. Catharines, Ontario Hayley Malouin reviews Essential Collective Theatre’s world premiere…
REVIEW: Workshop Performance of The Blood Cycle Explores Family, Fidelity, and...
Toronto, Ontario Kate Croome shares her thoughts on lemonTree creations’ workshop…
REVIEW: All Love for Black Boys’ “Black On Black Love”
Montreal, Québec Willow White reviews Black Boys, Saga Collectif’s co-production with…
