REVIEW: The Journey: Notes of Hope
Toronto, Ontario Diana Manole reviews The Journey: Notes of Hope,…
REVIEW: Other People’s Children Cracks Open Postpartum Intimacy and
Montreal, Québec Sarah J Culkin reviews Imago Theatre’s production of Other…
REVIEW: Sound of the Beast Slams Police Brutality, Class Inequality, and Racism...
Montreal, Quebec Willow White reviews Donna-Michelle St. Bernard’s one-woman show Sound…
REVIEW: I Call Myself Princess Is A Gifted Conduit For Escalating Ancestors
Toronto, Ontario After attending rehearsal and speaking with playwright Jani…
Recalling Redfeather: Weaving Through History with Jani Lauzon and Marjorie
Toronto, Ontario Robyn Grant-Moran interviews I Call Myself Princess playwright Jane Lauzon…
A Little Space for Mystery: From the Rehearsal Room of I Call Myself Princess
Toronto, Ontario Robyn Grant-Moran reports from the rehearsal room of I…
Embedded criticism: an alt.ernative to reviewing?
Toronto, Ontario A note from web editor Hayley Malouin: The…
REVIEW: Box 4901 Is A Powerful (If Somewhat Un-Packed) Exploration of Queer...
Toronto, Ontario Kate Croome reviews Box 4901, a timeshare production of…
REVIEW: Body So Fluorescent Explores Persona, Performativity, and (Heated)...
Toronto, Ontario Mae Smith reviews Body So Fluorescent, presented by…
REVIEW: Overhear Toronto Interfaces with Real Life, Real People, Real Coffee
Toronto, Ontario Kate Croome reviews Overhear Toronto, co-produced by Apuka…
