REVIEW: The Hysteria Triptych Offers Three Hinged-Together Looks At...
Montreal, Québec Willow White reviews Odd Stumble’s workshop presentation of Erin Lindsay’s…
REVIEW: Method and Message of 12 Minute Madness Are Clear, If Unfinished...
Vancouver, British Columbia Kelsey Blair reviews Raina Von Waldenburg’s semi-autobiographical 12 Minute…
REVIEW: Patron Saints and Picking Grapes in Our Lady of Delicias
St. Catharines, Ontario Hayley Malouin reviews Essential Collective Theatre’s world premiere…
REVIEW: Workshop Performance of The Blood Cycle Explores Family, Fidelity, and...
Toronto, Ontario Kate Croome shares her thoughts on lemonTree creations’ workshop…
REVIEW: All Love for Black Boys’ “Black On Black Love”
Montreal, Québec Willow White reviews Black Boys, Saga Collectif’s co-production with…
REVIEW: Dark Glass Theatre’s Ruined Brilliantly Tells a Story of Humanity...
Vancouver, British Columbia Carla Chambers-Jeffreys reviews Dark Glass Theatre’s production of Lynn…
REVIEW: Empire of the Son’s Fragmented Narrative Tells Story of...
Edmonton, Alberta Connor Meeker reviews Tetsuro Shigematsu’s Empire of the Son at Edmonton’s…
REVIEW: Personal Narratives in The Watah Theatre Double Bill Find Community...
Toronto, Ontario Mae Smith reviews The Watah Theatre’s Double Bill, a double feature…
REVIEW: BANG BANG is Equal Parts Disarming and Disturbing
Toronto, Ontario alt.theatre web editor Hayley Malouin reviews the world premiere…
REVIEW: The Body Labours Sonorously in Foxconn Frequency (no. 3) (PuSh
Vancouver, British Columbia Kelsey Blair reviews Hong Kong Exile’s Foxconn Frequency (no….
